"Carol" is a 2015 movie and considered one of the big awards contenders this season. Let us start with the people we do not see in the film. Writer Patricia Highsmith is responsible for novels like "The Talented Mr. Ripley" and "Strangers on a Train" (turned into a movie by Hitchcock). 2015 is the 20th anniversary of her death, so it's a nice way to honor her literary legacy. Phyllis Nagy is the one who adapted her work for this film here. She has only written (and directed) one television movie so far and that was already ten years ago, but that one back then, "Mrs. Harris", received lots of awards attention too. Director Todd Haynes is known for writing his own films most of the time, but here he was "only" the one directing. His most known works so far include Kate Winslet's "Mildred Pierce", "Far from Heaven" and "I'm Not There", another Cate Blanchett movie and that one is from 8 years ago.Talking about Cate Blanchett, she is the big star in here and I am slowly (or quickly) beginning to become a great fan of hers. Occasionally, she seemed somewhat cold and unemotional to me in past works, but this may only have been my wrongful perception. I loved her in "Blue Jasmine" and she is excellent as the title character in "Carol" as well. It's tough to pick a favorite scene as she shines for 2 hours from start to finish of the movie, but I really liked her moment of revelation during the hearing with the lawyers towards the end. Oscar-worthy. She also has good chemistry with her co-star Rooney Mara. Mara, who was pushed back and forth between lead and supporting all awards season, won a Palme d'Or for her performance here and, like Blanchett, got nominations from many other crucial awards bodies, so the two are basically locks for Oscar nominations. I must say she is good, but nowhere near Blanchett's level, so I was slightly underwhelmed by her portrayal here. Lacy, Paulson and (especially) Chandler give convincing supporting performances here too. I especially liked the scene in which we see Chandler's character's eyes through the door after Paulson's character closed said door on him.Finally, there were three or four great moments, but sadly as a whole, even if I really enjoyed this film at times, I cannot say it was totally mind-blowing for me or anything that I would consider among the best of the year. Thumbs up as well for the soundtrack and all the visual aspects of the film. If you like the historic tone and context of "Mad Men", you will appreciate the stylistic side of "Carol" for sure too. It is a story about a woman who has to give up on love (for a little while) in order to be allowed to see her daughter. Homosexuality was still mostly a taboo back then - times were entirely different - and this aspect also makes it very much worth a watch for the historic context. Of course, it's also worth seeing for the difficult and complex relationships between the characters. A well-rounded effort by Haynes here and I can see why he and the film are getting so much praise. I recommend the watch. Thumbs up.
Rooney Mara is manning a desk at a department store when mink-coated Cate Blanchett comes by to figure out what she can buy for her son's Christmas. When Miss Blanchett departs, she leaves her gloves. Miss Rooney calls her to rturn them and soon they begin an affair.It's a movie based on a novel Patricia Highsmith published under a pen name lest she be typed as a writer of homosexual fiction. Todd Haynes directs coldly, with the early 1950s reproduced in a perfect exhibition of set design, and while the leading ladies are, as you might expect, perfect, it's yet another Highsmith adaptation that leaves me unmoved Everyone is is either clueless, predatory, or both, and Edward Lachman's lighting leaves everyone looking bloodless. Yes, I get it. The Old Days were terrible; no one could be themselves, everyone had to pretend, and everyone was miserable. I'm left with the thought of John Sullivan grinding ten thousand feet of hard luck, and wondering when someone is going to shove him back to Hollywood so he can make ANTS IN YOUR PLANTS OF 1942.Carter Burwell's score is in a minor key, of course.
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Go Into the Story is the official blog for The Blacklist, the screenwriting community famous for its annual top ten list of unproduced scripts. One useful feature of Go Into the Story is its bank of downloadable movie scripts.
While I didn't try to think of the song, the line "Baby don't hurt me ... don't hurt me no more" came to mind. And it's not like it doesn't suit or fit with the movie (if you excuse the pun). And let's get this out of the way straight ahead: If you didn't or don't already know, this movie has scenes of explicit sex in it. And it begins with a masturbation scene, to shock you right out of the gate (or those who will be offended by it of course).It goes without saying that this is full of nudity. You may not have seen this actors before, but you'll see everything of them in this. It's not only being naked physically, but also mentally. Laying emotions out there and going through motions (literally and metaphorically) is draining. Both for the actors and the viewers. The story is simple. It's about love or the idea of it.Which brings us back to our initial question. Are we able to appreciate what we have? Or do we long for things we can't have? Can we be happy with the person we spend our time or is the temptation for something new too big? Obviously that depends on the individual and their "world" view. Also their emotional state. The movie is as you can tell not an easy watch ... for multiple reasons. The message is clear though ...
Let's face it. Somehow this thing got legitimized by using more expensive film and hi tech movie equipment. I can just see the guys sitting there drooling because this is somehow a mainstream movie. "Look, dear. This is an art film like the ones you are always talking about. I really don't see anything more than a bunch of explicit sex which I could pick up at any adult movie outlet if I wanted to. Of course, it could have been redeemed if there had been something new about it. The problem is that it is just plain boring. The characters are tiresome and unappealing. The plot is virtually nonexistent. Yes, there is a bit of decent cinematography, but even that is pretentious and "artsy." It takes away the simple presentation of the story (such as it is), and when these flashy scenes show up, they are just such obvious eye candy. Don't bother.
Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".
The themes of unrequited love and self-acceptance are central to Loev as noted by such commentators as Aseem Chhabra, Zack Ford, and Subhash K. Jha. They wrote in their reviews that the theme of sexuality takes a backseat to the aforementioned subjects.[27][28][29] Chhabra, a New York-based film writer and director noted that the film beautifully presented an emotional journey of gay characters, who seemed to be comfortable with their identity.[15] Also, as expressed by Saria himself, the film was intended as a "universal story about attraction".[15] He did not want to conform to a single definition for the film or the relationship between two lead characters.[30] 2ff7e9595c